Originally published on Thu April 11, 2013 10:26 pm
You might be tempted to call World Cafe's Sense of Place: Nashville guest Moon Taxi a jam band — that is, if its instrumental excursions weren't so concise, carefully thought-out and frequently refined in the years it's spent touring.
The quintet formed at Belmont University in Nashville and released its debut, Melodica, in 2007. Moon Taxi's second studio album, Cabaret, came out last year. Here, the band performs an intricate live set and discusses what makes Nashville's independent music scene special.
Originally published on Wed April 10, 2013 10:43 am
Jack White's Third Man Records has quickly become a cultural force in Nashville. The Third Man complex is situated in an industrial section of downtown, where it houses a retail store, the Third Man studio, a mail-order business and a music venue.
Originally published on Wed April 10, 2013 11:44 am
In an attempt to discover the best new local music in Nashville, we headed to Grimey's Records, the mecca for indie music in town. It was opened by Mike Grimes in 1999, who also manages The Basement, the club in Grimey's basement. And the institution is still growing, recently opening a satellite store next to its already expanded store.
In this segment, co-founder Doyle Davis (who also hosts a local music show, "The Indie Underground Hour" on local station Lightning 100) picks his five best local bands.
Originally published on Wed April 10, 2013 3:16 pm
For World Cafe's Sense of Place: Nashville edition, we knew we wanted to talk with Gillian Welch and David Rawlings to get their take on changes in the city over the last couple of decades. The country-folk singer-songwriters moved to Nashville in 1993 and have worked there ever since, recording at historic studios like RCA Studio B before buying the legendary Woodland Studios.
Originally published on Wed April 10, 2013 3:17 pm
A young darling of Nashville's music scene, Caitlin Rose just released her second album, The Stand-In. Rose moved to Nashville when she was 7, but resisted country music at first because her parents worked in the industry. Indie-rock was more her thing; she first discovered Merle Haggard via a Mountain Goats record.